Sunday, February 28, 2010

The September Issue and Into the Storm

On the face of it, The September Issue is a documentary about the months it takes to put together Vogue’s huge September issue, but really it is a glimpse into the real scary calm rule of Anna Wintour, Vogue’s editor, known to most of us nonfashion followers as the woman who Meryl Streep played in The Devil Wears Prada. I kept seeing Streep’s portrayal throughout this movie, without the over top behavior liking flopping the coat on her assistant’s desk, such as the stare of disdain. You know really, the movie isn’t just a portrayal of Wintour, the movie plays up the conflict between the decisive Wintour and the creative director, Grace Coddington, who seems to be the great talent of Vogue magazine. The two of them, women of a “certain” age, go to head to head, while never directly confronting each other. They do try to strong arm the other – of course, Wintour usually way wins, but it is definitely a battle that is fun to watch: reality drama at its finest.

I also watched Into the Storm – another portrayal of a real person: Winston Churchill. The segment of his life we see in the movie is during WWII, and it shows his strength in leading England through one if it’s most difficult times. We also see a quirky, petulant, brilliant side to Winston Churchill, a man I knew little about it before I saw this movie. It was an interesting but probably but not exciting movie for most. My dad, a big Winston Churchill fan, would probably really like it.

Tuesday, February 16, 2010

Funny People

For starters Funny People is not funny. It is at times dismal, at times pathetic, and at times really crude. It’s about horrible unlikable people or comics, (I guess) who say horrible things to each other. It’s another one from the Judd Apatow comedy factory – you know the maker of 40-year-old Virgin, Super Bad, and so forth. In fact since 2004, he’s made more than 10 movies: a mixture of very funny ones and real duds. This one has one of his favorite actors Seth Rogen who is the only actual “real” person in this movie. Adam Sandler is the famous comic who is no longer happy with his riches and fame. He goes searching for a woman he loved. It’s so blah and unrealistic that I stopped caring about this movie somewhere during the last sentence.

Sunday, February 7, 2010

The Hurt Locker and Crazy Heart

It just so happened that I went to two movies in one day (I had already gone to The Hurt Locker and got an invitation to go to Crazy Heart) which forces me to compare these two movies: one intense and stressful, and one slow and drowsy.

The Hurt Locker
Before going to Hurt Locker, I had a knotted muscle in my back and believe me this movie did not help me de-stress. I was tense throughout the movie and my face held a cringe. Even though it is not the type of movie I usually see – it has all the elements I usually like to avoid: war, blood, macho men with guns – I was too intrigued to miss it, especially when it can be found at our new independent theater. In its simplest form Hurt Locker is just three guys who go from one potential deadly threat to another, diffusing the situation or in some cases creating some added drama. Their leader and the man who wears the padded bomb suit, is Will James played by Jeremy Renner, and he is a reckless adrenaline junky but incredibly skilled at what he does. He says nutty threatening things and then says, “Just kidding” in a way that makes him seem crazy – but you can’t keep your eyes off of him --he is interesting on screen except when his team member Sandborn, played by Anthony Mackie, is onscreen – he also gives an amazing presence. Do I recommend this movie? Yes, I think for the performances and the intensity, but no if you don’t want to be freaked out and make your back get even more knotted up.

Crazy Heart
Jeff Bridges in Crazy Heart plays a broken down alcoholic country singer. This movie is a character study and the character, Bad Blake. His performance basically IS the movie and the movie may be worth going to if only to see his performance, I guess. But it is also pretty plotless and too slow-paced. It was like they tried to slap a pretty clich̩ plot structure around a great character and some good songs and performances. Giving him a love interest of the beautiful and way too young Maggie Gyllenhall seemed all wrong. Bad Blake is gross Рwho but a star struck drunk fan would want to kiss him? And the ending definitely falls flat. After hearing an interview on Fresh Air with T. Bone Burnet who produced and wrote some of the music for this movie I had high hopes for this movie, but maybe because my expectations were too high, I was disappointed.